The Birth of the Cool

This is the best story to date I've seen about Ed Bradley. If you have time, check it out.
Since my parents religiously watched 60 Minutes as I was growing up, I too became addicted. As it helped feed my interest in a career in journalism, I appreciated how the program's news stories' would be discussed on Monday mornings from the office water coolers to the White House. Central to the program was a smooth brotha whose delivery was just as fluid, but still packed a punch. For me, Bradley was always a damn good journalist, but also a journalist fully aware of his life experience and insight as a Black man. He embraced this and never forgot it. He also never let it get in the way: neither by others' attempts to limit him, nor by it preventing him from uncovering truths of the stories painful to Black people (such as the referenced interview of the alleged Black accomplice in the Emmett Till murder). Along with the smooth delivery here was a brotha whose knowledge and research backed it all up. If he was ever thrown by an interview subject, I must have missed it. I liked how the earring said "rebel," like it was his own personal calling card that he had his own beat, operating within the confines of broadcast journalism with the skill and improvised deftness of the jazz music and musicians he so loved.
As a Black man in media, I hoped to evolve like Ed Bradley and Bob McGruder. I hoped to age as well as Ed Bradley and Bob McGruder too. They both symbolized what brothas like me aspire to become: intelligent, informed, prepared, insightful and cool. As they did, I wear my Blackness not on my sleeve, but on my entire body every day as an honor. Both men left us too soon, but they both have shaped countless lives, countless journalists and future journalists with their influence, dignity, strength and grace. And you know sistas loved how cool Ed was with the grey hair and beard and the hoop or stud earring and the dapper suits. When Ed would kick back in an interview with Lena Horne or with Jordan or Tiger, you just knew off camera they would all be saying "THIS is living." Likewise, Ed could smoothly bust the chops in hard-hitting interviews like Timothy McVey, Michael Jackson and countless blubbering government officials.
To me Ed Bradley symbolized a brotha who could remain true as a Black man and hold his own in an industry not necessarily keen on his outlook. As always, Ed handled the haters with style and cool. For all of these things I am grateful.
Just as the program always begins with its list of correspondents, my mind will catch itself — inserting "Ed Bradley" where I've always heard it, just as I still do when I insert "Harry Reasoner" where it belonged.
Most of all, Ed Bradley is proof you can be a Black man in media without (and forever resisting) being emasculated.
Thanks, Ed. I know jazz sounds even better up there.

